OAK JUNGHO

์˜ฅ์ •ํ˜ธ  Oak Jungho


2008 ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต ๋ฏธ์ˆ ์› ์กฐํ˜• ์˜ˆ์ˆ ๊ณผ, ๋งค์ฒด์ „๊ณต ์˜ˆ์ˆ ์ „๋ฌธ์‚ฌ ์กธ

2003 ํ•œ๊ตญ์˜ˆ์ˆ ์ข…ํ•ฉํ•™๊ต ๋ฏธ์ˆ ์› ์กฐํ˜• ์˜ˆ์ˆ ๊ณผ ์กธ





[ ์ž‘ํ’ˆ ์†Œ์žฅ ]


๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ๋ฏธ์ˆ ์€ํ–‰

์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€

๋ถ€์‚ฐํ˜„๋Œ€๋ฏธ์ˆ ๊ด€

๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€

์‚ผ์„ฑ๋ฏธ์ˆ ๊ด€ ๋ฆฌ์›€

๊ฒฝ๋‚จ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€

์•„ํŠธ์ŠคํŽ˜์ด์Šค ๋ชฝ์ธ

์Œˆ์ง€ ์ŠคํŽ˜์ด์Šค



[ ์ถœํŒ]


2013  <Art Cities of the Future_21stCentury Avant-Grade>,PHAIDON(p258~259)

2012  <A Consensus Momentary Yet Momentous>, MARSPRESS(p154-181)

[ ๊ฐœ์ธ์ „ ]


2023  <๋ฉ”์ด๋ฐ์ด_Mayday>, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ์‹ ์‚ฌ์˜ฅ, ์„œ์šธ

2018  <๋ฏธ๋งํ•œ ์„ธ๊ณ„>, ๊ฐค๋Ÿฌ๋ฆฌ ์กฐ์„ _๊ธฐํš ์ดˆ๋Œ€์ „, ์„œ์šธ

2017  <๋˜๊ฐ๊ธฐ>, ์ƒ์—…ํ™”๋ž‘, ์„œ์šธ

2015  <Hamartia- ๊ณผ๋…์—์„œ ๋ฒ—์–ด๋‚˜๋‹ค>, ๊ฐค๋Ÿฌ๋ฆฌ ์กฐ์„ , ์„œ์šธ

2014  <‘in the field’>, Contemporary Art and Sprits (CAS), ์ผ๋ณธ, ์˜ค์‚ฌ์นด

2013  <in the barley field>, 43inverness street gallery, ์˜๊ตญ ๋Ÿฐ๋˜

2011  <2011 ํ’€ ํ”„๋กœ๋•์…˜ ‘๊ฑฐ๋ฃฉํ•œ ํ’๊ฒฝ’>, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ํ’€, ์„œ์šธ

2006  <์˜ฅ์ •ํ˜ธ ๋‘๋ฒˆ์งธ ๊ฐœ์ธ์ „  ‘FREE PLASTIC’>, ๊ฐค๋Ÿฌ๋ฆฌ 175, ์„œ์šธ

2005  <์ธ์‚ฌ๋ฏธ์ˆ ๊ณต๊ฐ„ ๊ธฐํš์ดˆ๋Œ€์ „ ‘์˜ฅ์ •ํ˜ธๅฑ•’>, ์ธ์‚ฌ๋ฏธ์ˆ ๊ณต๊ฐ„, ์„œ์šธ




[ ์ฃผ์š” ์ „์‹œ ๊ฒฝ๋ ฅ ]


2022  <๋‚˜๋ฌด๊ฐ€ ์ˆฒ์—์„œ ์ œ ๋ฟŒ๋ฆฌ๋ฅผ ์žƒ์ง€ ์•ˆ๋Š” ๋ฒ•>, SeMA์ฐฝ๊ณ , ์„œ์šธ

2022  <์—ฌ์ˆ˜๊ตญ์ œ๋ฏธ์ˆ ์ œ-ํ‘ธ๋ฅธ๊ตฌ์Šฌ์˜ ์—ฌ์ •>, ์—ฌ์ˆ˜์—‘์Šคํฌ์ปจ๋ฒค์…˜์„ผํ„ฐ, ์—ฌ์ˆ˜

2022  <๊ธฐ๋…์‚ฌ์ง„>, ์ŠคํŽ˜์ด์Šค55, ์„œ์šธ

2022  <๋œฌ์†Œ๋ฌธ>, ์˜๋„๋„์‹œ๋ฌธํ™”์„ผํ„ฐ, ๋ถ€์‚ฐ

2021  <ZER01NE DAY 2021>, ํ˜„๋Œ€์ž๋™์ฐจ ์›๋ฃŒ๋กœ, ์„œ์šธ

2021  <์ฝ”๋ฆฌ์•ˆ ์•„์ด 2020 ํŠน๋ณ„์ „'Creativity & Daydream: ์ฐฝ์กฐ์„ฑ๊ณผ ๋ฐฑ์ผ๋ชฝ'>, ๋กฏ๋ฐ์›”๋“œํƒ€์›Œ P/O/ST

2021  <์‹ ์†Œ์žฅํ’ˆ 2017-2020:์ด์–ด์ง„ ์„ธ๊ณ„๋“ค>, ๊ฒฝ๋‚จ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ฐฝ์›์‹œ

2021  <์ปฌ๋ ‰์…˜_์˜คํ”ˆ ํ•ดํ‚น ์ฑ„๊ตด>, ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2020  <The Sign of Doubt>, VT Artsalon, ํƒ€์ดํŽ˜์ด์‹œํ‹ฐ, ๋Œ€๋งŒ

2020  <์˜คํ”ˆ ๋ฏธ๋””์–ด ์•„ํŠธ ํŽ˜์Šคํ‹ฐ๋ฒŒ 2020, Black Swan: Unpredictable Future>, ์š”๋ฅด๋‹จ ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์•”๋งŒ, ์š”๋ฅด๋‹จ

2020  <๋ง๋ น๋“ค์˜ ์™•๊ตญ>, ํ”Œ๋žœ๋น„ ํ”„๋กœ์ ํŠธ ์ŠคํŽ˜์ด์Šค, ์„œ์šธ

2020  <์ฝ”๋ฆฌ์•ˆ์•„์ด:2020 'Creativity & Daydream: ์ฐฝ์กฐ์„ฑ๊ณผ ๋ฐฑ์ผ๋ชฝ' >, ์ƒํŠธํŽ˜ํ…Œ๋ฅด๋ถ€๋ฅดํฌ ๊ตญ๋ฆฝ ์—๋ฅด๋ฏธํƒ€์ฃผ ๋ฏธ์ˆ ๊ด€, ์ƒํŠธํŽ˜ํ…Œ๋ฅด๋ถ€๋ฅดํฌ, ๋Ÿฌ์‹œ์•„

2020  <Media art work screening>, ์˜ํ™”์˜ ์ „๋‹น, ๋ถ€์‚ฐ

2020  <์ „์ฃผ ๋…๋ฆฝ์˜ˆ์ˆ ์ œ>, ์ „์ฃผ ์„ ๋ฏธ์ดŒ ์ผ๋Œ€, ์ „์ฃผ

2019  <counterART: Aesthetics of South Korean Activism + Global Perspectives>, RedLine Contemporary Art Center, Denver, USA

2019  <๋†๋‹ด, ๊ฒฐ์ฝ” ๊ฐ€๋ณ์ง€์•Š์€>, ๊ฒฝ๋ถ๋Œ€ํ•™๊ต๋ฏธ์ˆ ๊ด€, ๋Œ€๊ตฌ

2019  <ZER01DAY>, ํ˜„๋Œ€์ž๋™์ฐจ, ์„œ์šธ

2019  <์ œ26ํšŒ 4.3๋ฏธ์ˆ ์ œ '๊ฒฝ์•ผ/็ถ“ๅคœWAKE'>, ์˜ˆ์ˆ ๊ณต๊ฐ„ ์ด์•„, ์ œ์ฃผ์‹œ

2018  <์ œ๋กœ์› ๋ฐ์ด>, ์šฉ์‚ฐ ํ˜„๋Œ€์ž๋™์ฐจ ์ •๋น„์†Œ, ์„œ์šธ

2018  <์Œˆ์ง€ ์ŠคํŽ˜์ด์Šค1998-5008-2018: ์—ฌ์ „ํžˆ ๋ฌด์„œ์šด์•„์ด๋“ค>, ๋ˆ์˜๋ฌธ ๋ฐ•๋ฌผ๊ด€, ์„œ์šธ

2018  <๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€ ํŠน๋ณ„ๅฑ•, ๊ฒฝ๊ธฐ์ฒœ๋…„ ๋„ํํŽ˜์Šคํƒ€‘๊ฒฝ๊ธฐ ์•„์นด์ด๋ธŒ_์ง€๊ธˆ’> ๊ฒฝ๊ธฐ์ƒ์ƒ์บ ํผ์Šค, ๊ฒฝ๊ธฐ๋„

2018  <์ œ์ฃผ4.3 70์ฃผ๋…„ ๋„คํŠธ์›Œํฌ ํ”„๋กœ์ ํŠธ, ์ž ๋“ค์ง€ ์•Š๋Š” ๋‚จ๋„>, d/p, ์„œ์šธ

2018  <์ผ์ƒ๋‹ค๋ฐ˜์‚ฌ>, ์šฐ๋ฏผ์•„ํŠธ์„ผํ„ฐ, ์ฒญ์ฃผ

2017  <์ œ์ฃผ๋น„์—”๋‚ ๋ ˆ- ํˆฌ์–ด๋ฆฌ์ฆ˜>, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€ ์™ธ, ์ œ์ฃผ๋„โ€จ

2017  <๋„์‹œ.๋„์‹œ์ธ>, ๋ถ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2017  <๊ด‘์žฅ์˜ˆ์ˆ - ํšƒ๋ถˆ์—์„œ ์ด›๋ถˆ๋กœ>, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ œ์ฃผ์‹œ

2017  <24ํšŒ 4.3 ๋ฏธ์ˆ ์ œ ‘ํšŒํ–ฅ- ๊ณต๋™์ฒด์™€ ์˜ˆ์ˆ ์˜ ๊ธธ’>, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€ ์™ธ, ์ œ์ฃผ์‹œ

2016  <์„œ์šธ์‚ฌ์ง„์ถ•์ œ ์„œ์šธๆ–ฐ์•„๋ฆฌ๋ž‘>, ๋ถ์„œ์šธ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2016  <๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ x ๊ตญ๋ฆฝํ˜„๋Œ€๋ฌด์šฉ๋‹จ ํผํฌ๋จผ์Šค : ์˜ˆ๊ธฐ์น˜ ์•Š์€>, ๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€ ์„œ์šธ๊ด€, ์„œ์šธ

2016  <‘2016 ๋‹ค๋ฅธ ์ฐจ์›’ ๊ตญ์ œ ์‚ฌ์ง„ ์ถ•์ œ>, ๋…ธ๋ณด์‹œ๋น„๋ฅด์ŠคํŠธ ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋Ÿฌ์‹œ์•„

2016  <23ํšŒ 4.3 ๋ฏธ์ˆ ์ œ '์ƒˆ๋‹ค๋ฆผ-์„ธ๊ณ„์˜ ๊ณต๊ฐ'>, ์ œ์ฃผ๋„๋ฆฝ๋ฏธ์ˆ ๊ด€, ์ œ์ฃผ์‹œ

2015  <ํ„ฐ์™€๊ธธ>, ์ œ์ฃผ์ข…ํ•ฉ๋ฌธํ™”์˜ˆ์ˆ ์„ผํƒ€, ์ œ์ฃผ์‹œ

2014  <2014 ์ฒญ๋…„๋ฏธ์ˆ ํ”„๋กœ์ ํŠธ >, EXCO- ๋Œ€๊ตฌ, ๋Œ€๊ตฌ๊ด‘์—ญ์‹œ

2014  <์ฐฝ์›์กฐ๊ฐ๋น„์—”๋‚ ๋ ˆ >, ์ฐฝ๋™์˜ˆ์ˆ ๋งˆ์„, ์ฐฝ์› ์‹œ๋ฆฝ ๋ฌธ์‹ ๋ฐ•๋ฌผ๊ด€, ์ฐฝ์›์‹œ

2013  <Re-photography>, Artspace NEMO, Seoul, Korea , ์„œ์šธ

2013  <์œ ๋จธ๋Ÿฌ์Šค humor:us>, ์ŠคํŽ˜์ด์ŠคK –๋Œ€๊ตฌ, ๋Œ€๊ตฌ๊ด‘์—ญ์‹œ

2012  <๋„์‹œ์œ ๋žŒ๊ธฐ>, ์‹ ์„ธ๊ณ„ ๊ฐค๋Ÿฌ๋ฆฌ,์„œ์šธ

2012  <๋จผ์ง€์šฐ์ฃผ so-we-side[suicide]with you>, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ํ’€, ์„œ์šธ

2012  <Unfinished Journey>, ์นด์ด์Šค ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2012  <ํ”Œ๋ ˆ์ดํƒ€์ž„-ํ•˜๊ธฐ์—ฐ์Šต>, ๋ฌธํ™”์—ญ์„œ์šธ 284, ์„œ์šธ

2012  <๊ธ€๊ณผ ๊ทธ๋ฆผ-์šฐํŠธ ํ”ฝํˆฌ๋ผ ํฌ์—์‹œ์Šค>, ์›์•ค์ œ์ด ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2012  <์•„ํŠธ ์ŠคํŽ™ํŠธ๋Ÿผ 2012 >, ์‚ผ์„ฑ ๋ฏธ์ˆ ๊ด€ Leeum, ์„œ์šธ

2011  <๋ฐœ๊ตด์˜ ๊ธˆ์ง€>, ์•„ํŠธ์ŠคํŽ˜์ด์Šค ํ’€, ์„œ์šธ

2010  <A4 DEMO>, LAB39,์„œ์šธ

2010  <‘์˜ค! ๋ช…ํ™”’ ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€ ์‹ ์†Œ์žฅํ’ˆๅฑ•>, ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„

2010  <์ง€๋‚œ ํ•ด ์—ฌ๋ฆ„>, ๊ฐค๋Ÿฌ๋ฆฌ ์ •๋ฏธ์†Œ, ์„œ์šธ

2009  <‘๋ฐ•ํ•˜์‚ฌํƒ•’์ค‘๋‚จ๋ฏธ ์ˆœํšŒ์ „ ๊ท€๊ตญ ๋ณด๊ณ ์ „>,๊ตญ๋ฆฝํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„ ๊ณผ์ฒœ

2009  <1990๋…„๋Œ€ ์ดํ›„์˜ ์ƒˆ๋กœ์šด ์ •์น˜๋ฏธ์ˆ -์•…๋™๋“ค ์ง€๊ธˆ์—ฌ๊ธฐ>, ๊ฒฝ๊ธฐ๋„ ๋ฏธ์ˆ ๊ด€, ๊ฒฝ๊ธฐ๋„

2009  <10ํšŒ ์Œˆ์ง€์ŠคํŽ˜์ด์Šค ์˜คํ”ˆ์ŠคํŠœ์ด๋„>, ์Œˆ์ง€์ŠคํŠœ๋””์˜ค, ์„œ์šธ

2008  <ํ”„๋กœ์ ํŠธ – ๊ฐ•์ •๋งˆ์„>, ์ œ์ฃผ๋„ ์„œ๊ท€ํฌ์‹œ ๊ฐ•์ •๋งˆ์„, ์ œ์ฃผ๋„ ์„œ๊ท€ํฌ์‹œ

2008  <์„œ์šธ์‹œ ๋„์‹œ๊ฐค๋Ÿฌ๋ฆฌ ํ”„๋กœ์ ํŠธ – ์ง‘๋ฐ–์˜ ์ง‘>, ์ž ์‹ค์ข…ํ•ฉ์šด๋™์žฅ, ์„œ์šธ

2008  <Art in Busan 2008: ๋Œ์•„์™€์š” ๋ถ€์‚ฐํ•ญ์—>, ๋ถ€์‚ฐ์‹œ๋ฆฝ๋ฏธ์ˆ ๊ด€, ๋ถ€์‚ฐ๊ด‘์—ญ์‹œ

2008  <MoA Cineforum 4>, ์„œ์šธ๋Œ€ํ•™๊ต ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2008  <ํ•œ๊ตญํ˜„๋Œ€๋ฏธ์ˆ  ์ค‘๋‚จ๋ฏธ์ˆœํšŒ ๅฑ• “๋ฐ•ํ•˜์‚ฌํƒ•”\>, ์•„๋ฅดํ—จํ‹ฐ๋‚˜ ๋ถ€์—๋…ธ์Šค์•„์ด๋ ˆ์Šค ๊ตญ๋ฆฝ๋ฏธ์ˆ ๊ด€, ์•„๋ฅดํ—จํ‹ฐ๋‚˜

2008  <Everyday is not the same>, BizArt Art Center,์ค‘๊ตญ ์ƒํ•˜์ด

2007  <์ œ2ํšŒ ‘์•ˆ์–‘APAP’-์•ˆ์–‘ ๊ณต๊ณต์˜ˆ์ˆ  ํ”„๋กœ์ ํŠธ>, ์•ˆ์–‘์‹œ

2007  <ํ•œ๊ตญํ˜„๋Œ€๋ฏธ์ˆ  ์ค‘๋‚จ๋ฏธ์ˆœํšŒ ๅฑ• “๋ฐ•ํ•˜์‚ฌํƒ•”>, ์น ๋ ˆ ์‚ฐํ‹ฐ์•„๊ณ  ํ˜„๋Œ€๋ฏธ์ˆ ๊ด€, ์น ๋ ˆ

2007  <์ถฉ๋ฌด๋กœ ํ”„๋กœ์ ํŠธ>, ์ถฉ๋ฌด๋กœ ์˜์ƒ์„ผํ„ฐ, ์„œ์šธ

2007  <ํœด๊ฒŒ์†Œ>, ์›”์‹œ ๊ฐค๋Ÿฌ๋ฆฌ,  ๋ฏธ๊ตญ ์‹œ์นด๊ณ 

2006  <๊ตญ์ œ์‚ฌ์ง„ํŽ˜์Šคํ‹ฐ๋ฒŒ- ํฌํ„ฐ๋ฃจ๋ด์Šค>, ๋•์›๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2005  <ํŽ˜์ดํฌ ๋ฎค์ง€์—„- ‘์˜ฅ์ •ํ˜ธ ํšŒ๊ณ ์ „>, ์•„๋ฅด์ฝ” ๋ฏธ์ˆ ๊ด€ ์†Œ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2005  <ํ”„๋กœ์ ํŠธ 139-์‚ฌ๊ณ„์ฒญ์†Œ>, ์ผ๋ฏผ๋ฏธ์ˆ ๊ด€, ์„œ์šธ

2004  <์‹œ๊ตญ์„ ์–ธ ๅฑ•>, ๋ฏผ์ฃผํ™”์šด๋™๊ธฐ๋…์‚ฌ์—…ํšŒ, ์„œ์šธ

2004  <new face ๅฑ•>, ๋•์›๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2004  ์›”๊ฐ„ art in culture 2004 new face ์„ ์ •

2003  <์ œ1ํšŒ ์‹ ๋„์‹œ์ „ “๋„Œ ์–ด๋””์„œ ์‚ฌ๋‹ˆ”>, ์ผ์‚ฐ๊ตฌ MBC, ๊ฒฝ๊ธฐ๋„ ์ผ์‚ฐ

2003  <์ด๋ฆ„์ฐ๊ธฐ>, ๋Œ€์•ˆ๊ณต๊ฐ„ ๋ฃจํ”„, ์„œ์šธ

2002  <๋Œ€์•ˆ๊ณต๊ฐ„ ํ’€ ์‹ ์ง„์ž‘๊ฐ€ ๋ฐœ๊ตด ํ”„๋กœ๊ทธ๋žจ ‘๋ฐ๋‹ค’ ๅฑ•>,๋Œ€์•ˆ๊ณต๊ฐ„ ํ’€, ์„œ์šธ

2002  <๊ด€ํ›ˆ๊ธฐํš์ „ Image Maker 'GAM‘>, ๊ด€ํ›ˆ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ

2002  <Reality Bites 02>, ๋Œ€์•ˆ๊ณต๊ฐ„ ๋ฃจํ”„, ์„œ์šธ



[ ๋ ˆ์ง€๋˜์‹œ ]


2019  ๊ณ ์–‘๋ฏธ์ˆ ์ฐฝ์ž‘๋ฏธ์ˆ  ์ŠคํŠœ๋””์˜ค, ๊ณ ์–‘

2017  ์˜ˆ์ˆ ๊ณต๊ฐ„ ์ด์•„, ์ œ์ฃผ

2016  ๋‚œ์ง€๋ฏธ์ˆ ์ฐฝ์ž‘์ŠคํŠœ๋””์˜ค, ์„œ์šธ

2015  Maraya Art Centre, Sharjah, Arab Emirate

2014  ๊ธˆ์ฒœ์˜ˆ์ˆ ๊ณต์žฅ, ์„œ์šธ

2013  Glenfidditch Artist in Residency Program, Duff Town, UK

2011  ๋ชฝ์ธ ์•„ํŠธ์ŠคํŽ˜์ด์Šค ๋ ˆ์ง€๋˜์‹œ ํ”„๋กœ๊ทธ๋žจ, ์„œ์šธ

2010  18th Street Art Center , Santa Monica, CA, USA

2008  ์Œˆ์ง€์ŠคํŽ˜์ด์Šค ์ŠคํŠœ๋””์˜ค  ํ”„๋กœ๊ทธ๋žจ, ์„œ์šธ

Works