YOUN HOSEOK

์œคํ˜ธ์„ Youn Hoseok


2021 ์˜ˆ์ˆ  ๋ฐ ๋””์ž์ธ ์„์‚ฌ, ๋‚จ๋ถ€ ์ผ๋ฆฌ๋…ธ์ด ์ฃผ๋ฆฝ ๋Œ€ํ•™๊ต, ์นด๋ณธ๋ฐ์ผ, ๋ฏธ๊ตญ

2018 ์œ ๋ฆฌ ๋ฐ ๋„๊ธฐ ๋””์ž์ธ ํ•™์‚ฌ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ๋Œ€ํ•œ๋ฏผ๊ตญ ์ฒœ์•ˆ์‹œ



[ ์žฅํ•™๊ธˆ / ์žฅํ•™์‚ฌ ]


2022 GAS ์žฅํ•™๊ธˆ ์ˆ˜์ƒ, ๋ฏธ๊ตญ Glass Art Society ์ „์•ก ์žฅํ•™๊ธˆ

2022 SIP ์ „์‹œํšŒ ๋ฒ ์ŠคํŠธ ์˜ค๋ธŒ ์ƒ ์ˆ˜์ƒ, ๋ฏธ๊ตญ ๋””ํŠธ๋กœ์ดํŠธ SIP ์ „์‹œํšŒ, Janice Charach ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ์‹œ๊ฐ„, ๋ฏธ๊ตญ

2022 Andy Paiko์˜ We're On Our Own, Pendland Craft ํ•™๊ต ์ „์•ก ์žฅํ•™๊ธˆ, ๋…ธ์Šค์บ๋กค๋ผ์ด๋‚˜, ๋ฏธ๊ตญ 

2022 Andy Paiko์˜ AUTONOMA, Ieri-Oggi-Domani, Pilchuck Glass School ์ „์•ก ์žฅํ•™๊ธˆ, ์›Œ์‹ฑํ„ด, ๋ฏธ๊ตญ

2021 ์œ ๋ฆฌ๊ณต์˜ˆ ์ „์‹œํšŒ 1๋“ฑ ์ˆ˜์ƒ, The In Art ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ

2021 ์œ ๋ฆฌ๊ณต์˜ˆ ์ „์‹œํšŒ 2๋“ฑ ์ˆ˜์ƒ, The In Art ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ

2021 ๋ฏธ์ˆ  ์œ„์›ํšŒ ๋ฉ”๋ฆฌํŠธ ์ƒ ์ˆ˜์ƒ, ์˜คํ•˜์ด์˜ค, ๋ฏธ๊ตญ 

2021 ์•„ํ‹ฐ์ŠคํŠธ ์ง€์›๊ธˆ, ์‹œ์นด๊ณ , ๋ฏธ๊ตญ

2019 Jamie Guerrero & Ed Kirshner์˜ Blow and Glow, ๋ฏธ๊ตญ ํ˜„๋Œ€ ์œ ๋ฆฌ ์˜ˆ์ˆ  ์—ฐ๋งน ์ „์•ก ์žฅํ•™๊ธˆ, Pittsburgh Glass Center, ํŽœ์‹ค๋ฒ ๋‹ˆ์•„, ๋ฏธ๊ตญ

2018 Martin Janecky์˜ Inside Bubble, Pilchuck Glass School ์ „์•ก ์žฅํ•™๊ธˆ, ์›Œ์‹ฑํ„ด, ๋ฏธ๊ตญ

2018 ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต ํ•™๊ณผ ๊ฒฝํ—˜ ํ”„๋กœ๊ทธ๋žจ ์žฅํ•™๊ธˆ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ์ฒœ์•ˆ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2017 Treg Silkwood์˜ ์œ ๋ฆฌ๊ณต์˜ˆ, ๋‹ˆ์ง€๋งˆ ๊ตญ์ œ ์œ ๋ฆฌ ์ถ•์ œ ์ „์•ก ์žฅํ•™๊ธˆ, ๋‹ˆ์ง€๋งˆ, ์ผ๋ณธ

2017 ์žฅํ•™๊ธˆ ์šฐ์ˆ˜ ๋…ผ๋ฌธ ์ „์‹œํšŒ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ๋Œ€ํ•œ๋ฏผ๊ตญ ์ฒœ์•ˆ์‹œ

2016 ๋ฏธ์ˆ  ํ”„๋กœ๊ทธ๋žจ ์žฅํ•™๊ธˆ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ๋Œ€ํ•œ๋ฏผ๊ตญ ์ฒœ์•ˆ์‹œ

2015 ๋ฏธ์ˆ  ํ”„๋กœ๊ทธ๋žจ ์žฅํ•™๊ธˆ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต, ๋Œ€ํ•œ๋ฏผ๊ตญ ์ฒœ์•ˆ์‹œ



[ ์ˆ˜์ƒ ]


2023 SAXE ์‹ ์ง„ ์ž‘๊ฐ€์ƒ, Glass Art Society, ๋ฏธ์‹œ๊ฐ„, ๋ฏธ๊ตญ

2022 SIP ์ „์‹œํšŒ ๋ฒ ์ŠคํŠธ ์˜ค๋ธŒ ์ƒ ์ˆ˜์ƒ, SIP ์ „์‹œํšŒ, Janice Charach ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ์‹œ๊ฐ„, ๋ฏธ๊ตญ

2022 ๊ตญ์ œ ๊ฒฝ์Ÿ ๋ฐ€๋ผ๋…ธ VetroUnder35 ๊ฒฐ์„  ์ง„์ถœ์ž, ์Šคํฌ๋ฅด์ฒด์Šค์ฝ” ์„ฑ, ๋ฐ€๋ผ๋…ธ, ์ดํƒˆ๋ฆฌ์•„

2021 ๋ฏธ์ˆ  ์œ„์›ํšŒ ๋ฉ”๋ฆฌํŠธ ์ƒ 1๋“ฑ ์ˆ˜์ƒ, ์˜คํ•˜์ด์˜ค, ๋ฏธ๊ตญ

2021 ์œ ๋ฆฌ๊ณต์˜ˆ ์ „์‹œํšŒ 1๋“ฑ ์ˆ˜์ƒ, The In Art ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ

2021 ์œ ๋ฆฌ๊ณต์˜ˆ ์ „์‹œํšŒ 2๋“ฑ ์ˆ˜์ƒ, The In Art ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ

2020 Life on Earth ๊ฐ€์ƒ ์ „์‹œํšŒ ๋ฉ”๋ฆฌํŠธ ์ƒ, Art Room ๊ฐค๋Ÿฌ๋ฆฌ (์˜จ๋ผ์ธ), ๋ฏธ๊ตญ

2017  ์ œ30ํšŒ ๋‹ˆ์ง€๋งˆ ์œ ๋ฆฌ ์˜ˆ์ˆ  ์ถ•์ œ 1๋“ฑ ์ˆ˜์ƒ, ๋‹ˆ์ง€๋งˆ, ์ผ๋ณธ

2017 ์ข‹์€๋‚  ๋ฏธ์ˆ  ๋Œ€ํšŒ ์šฐ์ˆ˜์ƒ, ์ฐฝ์›, ๋Œ€ํ•œ๋ฏผ๊ตญ 

2012 ๋ฌด๊ถํ™” ๋ฏธ์ˆ  ๋Œ€ํšŒ ์šฐ์ˆ˜์ƒ, ์™„์ฃผ, ๋Œ€ํ•œ๋ฏผ๊ตญ



[ ์ถœํŒ ]


2023 MAKING #305, Craft Alliance, Hoseok Youn - ์œ ๋ฆฌ ์˜ˆ์ˆ ๊ฐ€, Kelly Miller ๊ธˆ์†๊ณต์˜ˆ๊ฐ€, The Craft Lab – KMOS PBS

2023 "Heartland 5", Belger Crane Yard ๊ฐค๋Ÿฌ๋ฆฌ – KC STUDIO, Elisabeth Kirsch์˜ ์ €

2022 Hoseok Youn | ์œ ๋ฆฌ ์˜ˆ์ˆ ๊ฐ€ ๋งŒ๋‚˜๊ธฐ, SHOUTOUTLA

2021 ๋ฏธ์ˆ  ์œ„์›ํšŒ, 2021 ๋ฉ”๋ฆฌํŠธ ์ƒ ์ˆ˜์ƒ์ž ๋ฐœํ‘œ, The Sojourner's Truth

2020 Art Saint Louis "Human Touch" ์ „์‹œํšŒ ์ž‘๊ฐ€ Q&A ์‹œ๋ฆฌ์ฆˆ 2, Roxanne Phillips (์˜จ๋ผ์ธ)

2019 SIU Media Servies 2019๋…„ 3์›” 14์ผ; ์œ ๋ฆฌ์— ๋ชฉ์†Œ๋ฆฌ๋ฅผ ๋ถ€์—ฌํ•˜๋‹ค: ํ•™์ƒ์ด ๊ฐ ์ž‘ํ’ˆ์„ ํŠน๋ณ„ํ•œ ์˜๋ฏธ๋กœ ์ฐฝ์กฐ, Hannah Erickson, ๋ฏธ๊ตญ (์˜จ๋ผ์ธ)

[ ์ „์‹œ ]

 

2024 ๋กœ์ผ“, ๋กœ๋ด‡ ๋ฐ ๋ ˆ์ด๊ฑด, Janice Charach ๊ฐค๋Ÿฌ๋ฆฌ, W ๋ธ”๋ฃธํ•„๋“œ, ๋ฏธ์‹œ๊ฑด, ๋ฏธ๊ตญ

2024 "Warped", Reuben Saunders ๊ฐค๋Ÿฌ๋ฆฌ, ์œ„์น˜ํƒ€, ์ผ„์‚ฌ์Šค, ๋ฏธ๊ตญ

2023 ๋””์ง€ํ„ธ ๋ฐ๋ท”, ๋ฒจ๊ฑฐ ์•„ํŠธ ์„ผํ„ฐ, ๋ฏธ์ฃผ๋ฆฌ, ๋ฏธ๊ตญ

2023 ํ˜์‹ ์  ํ˜์‹ , ๋ฒ ํŠธ๋ฆฌ ๊ฐค๋Ÿฌ๋ฆฌ, ์›Œ์‹ฑํ„ด, ๋ฏธ๊ตญ

2023 Horbowy ๊ตญ์ œ ์œ ๋ฆฌ ๊ณต๋ชจ์ „ 2023 (Horbowy ๊ตญ์ œ ์œ ๋ฆฌ ๊ณต๋ชจ์ „ 2023), ์นด๋ฅด์ฝ”๋…ธ์Šคํ‚ค ๋ฐ•๋ฌผ๊ด€, ํด๋ž€๋“œ ์˜ˆ๋ ˆ๋‹ˆ์•ผ ๊ณ ๋ฅด์ฒด, ํด๋ž€๋“œ (์‹ฌ์‚ฌ)

2023 ํ•˜ํŠธ๋žœ๋“œ 5, ๋ฒจ๊ฑฐ ์•„ํŠธ ์„ผํ„ฐ, ๋ฏธ์ฃผ๋ฆฌ, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2023 ์œ ๋ฆฌ ์˜ˆ์ˆ  ํ˜‘ํšŒ ํšŒ์› ์ „์‹œํšŒ, ๋Ÿฌ์…€ ์‚ฐ์—… ์„ผํ„ฐ, ๋ฏธ์‹œ๊ฐ„, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2022 ๊ทธ๋ฃน ์•„ํŠธ ์‡ผ, ์กด์Šค ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ์ฃผ๋ฆฌ, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2022 SIP, ๊ทธ๋ฃน ์ „์‹œํšŒ, Janice Charach ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ์‹œ๊ฐ„, ๋ฏธ๊ตญ

2022 ๋ฏธ์‹œ๊ฐ„ ์ฃผ ์ง€์—ญ ์œ ๋ฆฌ ์ „์‹œํšŒ 4ํšŒ, ๊ทธ๋ฃน ์ „์‹œํšŒ, Janice Charach ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ์‹œ๊ฑด, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2022 Raphael ์ฐฝ๋ฆฝ์ž ์ƒ, ๊ทธ๋ฃน ์ „์‹œํšŒ, ํ˜„๋Œ€ ๊ณต์˜ˆ, ํŽœ์‹ค๋ฒ ์ด๋‹ˆ์•„, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2022 ๋ฐ€๋ผ๋…ธ VetroUnder35 ๊ตญ์ œ ๋Œ€ํšŒ, ๊ทธ๋ฃน ์ „์‹œํšŒ, Castello Sforzesco, ๋ฐ€๋ผ๋…ธ, ์ดํƒˆ๋ฆฌ์•„ (์‹ฌ์‚ฌ)

2022 ์œ ๋ฆฌ ํ˜„๋Œ€, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, ํ˜„๋Œ€ ์œ ๋ฆฌ ํ˜‘ํšŒ, Dickleburgh, ์˜๊ตญ (์‹ฌ์‚ฌ)

2021 ์œ ๋ฆฌ ๊ณต์˜ˆ ์ „์‹œํšŒ, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, The In Art ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2021 ASK: ์šฐ๋ฆฌ์˜ ๋‹ค์–‘ํ•œ ์„ธ๊ณ„, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, Tsinghua ๊ตญ์ œ ํšŒ์˜, ์ค‘๊ตญ

2021 BEAST, ๊ฐœ์ธ ์ „์‹œํšŒ, Surplus ๊ฐค๋Ÿฌ๋ฆฌ, ๋ฏธ๊ตญ ์ผ๋ฆฌ๋…ธ์ด, IL (๋ฏธ์ˆ  ์„์‚ฌ ์ „์‹œ)

2021 ์ง„ํ™” - ์‹ ํฅ ๊ตญ์ œ ์ธ์žฌ ์‡ผ์ผ€์ด์Šค, ์œ ๋ฆฌ ์˜ˆ์ˆ  ํ˜‘ํšŒ ํ•™์ƒ ๊ฐ€์ƒ ์ „์‹œํšŒ (์‹ฌ์‚ฌ)

2021 ๊ฒฝ์ง๋œ ์†Œ์žฌ์™€ ๋ถ€๋“œ๋Ÿฌ์šด ์†Œ์žฌ, ๊ทธ๋ฃน ์ „์‹œํšŒ, Greater Denton ์˜ˆ์ˆ  ํ˜‘ํšŒ, ํ…์‚ฌ์Šค, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2021์œ ๋ฆฌ ๋ฐฉ๋ฒ•, ๊ทธ๋ฃน ์ „์‹œํšŒ, Applied Contemporary, ์บ˜๋ฆฌํฌ๋‹ˆ์•„, ๋ฏธ๊ตญ (์‹ฌ์‚ฌ)

2020 ์ง€๊ตฌ์ƒ์˜ ์‚ถ, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, Art Room ๊ฐค๋Ÿฌ๋ฆฌ (์‹ฌ์‚ฌ)

2020 ์ธ๊ฐ„์˜ ์†๊ธธ, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, Art St Louis (์‹ฌ์‚ฌ)

2020 ํฌ๋ง์˜ ๊ฐœํ™”, ๊ฐ€์ƒ ๊ทธ๋ฃน ์ „์‹œํšŒ, Plasma Art Alliance (์‹ฌ์‚ฌ)

2020 ์œ ๋ฆฌ ์˜ˆ์ˆ  ํ˜‘ํšŒ ํ•™์ƒ ๊ฐ€์ƒ ์ „์‹œํšŒ (์‹ฌ์‚ฌ)

2018 ๊น€์šด, 2ํšŒ ์œ ๋ฆฌ ๋„๊ธฐ ์—ฐํ•ฉ ๊ทธ๋ฃน ์ „์‹œํšŒ, ์ธ์‚ฌ์•„ํŠธ ํ”Œ๋ผ์ž, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2017 ํ˜๊ทœ, 20ํšŒ ์œ ๋ฆฌ ๋„๊ธฐ ๋””์ž์ธ ๋…ผ๋ฌธ ์ „์‹œํšŒ, ์•„์ด์•™ ๊ฐค๋Ÿฌ๋ฆฌ, ๋Œ€ํ•œ๋ฏผ๊ตญ ์„œ์šธ (๋ฏธ์ˆ  ํ•™์‚ฌ ์ „์‹œ)

2017 ์œ ๋ฆฌ์˜ ์ด์•ผ๊ธฐ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต 18ํšŒ ์„ธ๊ณ„ ์œ ๋ฆฌ ์˜ˆ์ˆ  ์ถ•์ œ ๊ทธ๋ฃน ์ „์‹œํšŒ, ๋ฆฌ๊ฐ ๋ฏธ์ˆ ๊ด€, ์ฒœ์•ˆ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2017 PLAS ์•„ํŠธ ํŽ˜์–ด, ๊ทธ๋ฃน ์ „์‹œํšŒ, ์ฝ”์—‘์Šค ์ปจ๋ฒค์…˜ ์„ผํ„ฐ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2017 ๋ˆ„๋‚˜ ๋“ค์ด, 1ํšŒ ์œ ๋ฆฌ ๋„๊ธฐ ์—ฐํ•ฉ ๊ทธ๋ฃน ์ „์‹œํšŒ, ์•„๋ผ-ํ˜„๋Œ€ ๋ฏธ์ˆ  ๋ฐ•๋ฌผ๊ด€, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 ์œ ๋ฆฌ์˜ ์ด์•ผ๊ธฐ, ๋‚จ์„œ์šธ๋Œ€ํ•™๊ต 18ํšŒ ์„ธ๊ณ„ ์œ ๋ฆฌ ์˜ˆ์ˆ  ์ถ•์ œ ๊ทธ๋ฃน ์ „์‹œํšŒ, ๋ฆฌ๊ฐ ๋ฏธ์ˆ ๊ด€, ์ฒœ์•ˆ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 ํŠธ๋ Œ๋“œ ํŽ˜์–ด, ๊ทธ๋ฃน ์ „์‹œํšŒ, ์ฝ”์—‘์Šค ์ปจ๋ฒค์…˜ ์„ผํ„ฐ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 PLAS ์•„ํŠธ ํŽ˜์–ด, ๊ทธ๋ฃน ์ „์‹œํšŒ, ์ฝ”์—‘์Šค ์ปจ๋ฒค์…˜ ์„ผํ„ฐ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 ๋น›์˜ ํšŒํ™” ์•„๋œฐ๋ฆฌ์—, 1ํšŒ ์Šคํ…Œ์ธ๋“œ ๊ธ€๋ผ์Šค ๊ทธ๋ฃน ์ „์‹œํšŒ, ๋ช…๋™ ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 ํ™”ํ•ฉ, 17ํšŒ INGLASS ์œ ๋ฆฌ ํด๋Ÿฝ ๊ทธ๋ฃน ์ „์‹œํšŒ, ๊ฒฝ์ธ ๋ฏธ์ˆ ๊ด€, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2016 ํ•œ๊ตญ ์œ ๋ฆฌ ๊ณต์˜ˆ๊ฐ€, ๊ทธ๋ฃน ์ „์‹œํšŒ, ์•„์ด์•™ ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2015 16ํšŒ INGLASS, ์œ ๋ฆฌ ํด๋Ÿฝ ๊ทธ๋ฃน ์ „์‹œํšŒ, GANA ์•„ํŠธ ์ŠคํŽ˜์ด์Šค, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2015 ํŠธ๋ Œ๋“œ ํŽ˜์–ด, ๊ทธ๋ฃน ์ „์‹œํšŒ, ์ฝ”์—‘์Šค ์ปจ๋ฒค์…˜ ์„ผํ„ฐ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

2013 14ํšŒ INGLASS, ์œ ๋ฆฌ ํด๋Ÿฝ ๊ทธ๋ฃน ์ „์‹œํšŒ, IS ๊ฐค๋Ÿฌ๋ฆฌ, ์„œ์šธ, ๋Œ€ํ•œ๋ฏผ๊ตญ

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